This extraordinary picture does not fit into any genre. It is a freak of nature, a acinematic oddity like no other. It took considerable bravery and imaginatio, or perhaps a bliss of ignorance as to the implication of one's actions (common to the artists), to make a film in which for the most part people recite the alphabet. The primer symbolises a key to the people communicate and perceive the world and traditions. The film is premeated with ugliness and lifelessness, which are extraordinary lit and beautifully captured by Jerzy Zielinski's camera. Tradition is dead, communication between people has become ossified in its banal formats, we all know the letters of the alphabet but cannot put them into sentences which would express out true selves.

This extraordinary picture does not fit into any genre. It is a freak of nature, a acinematic oddity like no other. It took considerable bravery and imaginatio, or perhaps a bliss of ignorance as to the implication of one's actions (common to the artists), to make a film in which for the most part people recite the alphabet. The primer symbolises a key to the people communicate and perceive the world and traditions. The film is premeated with ugliness and lifelessness, which are extraordinary lit and beautifully captured by Jerzy Zielinski's camera. Tradition is dead, communication between people has become ossified in its banal formats, we all know the letters of the alphabet but cannot put them into sentences which would express out true selves.

A hybrid work, Ana Elena Tejera’s portrait of her grandmother utilizes archival images, re-enactment and “biographical performance” to exorcise painful personal experience, family secrets, and Panamanian military dictatorship in the 1980s a history felt “through the skin.” Grandmother recounts how her husband returned from military training in Israel, fundamentally altered. “Why did God make me love you?” she asks, underlining a domain of fear, entrapment, and hidden violence. A moment of joy in movement ruptures memory’s prison-house, as grandmother dances alone in her old living room, a room where moving her body had long been forbidden.

A hybrid work, Ana Elena Tejera’s portrait of her grandmother utilizes archival images, re-enactment and “biographical performance” to exorcise painful personal experience, family secrets, and Panamanian military dictatorship in the 1980s a history felt “through the skin.” Grandmother recounts how her husband returned from military training in Israel, fundamentally altered. “Why did God make me love you?” she asks, underlining a domain of fear, entrapment, and hidden violence. A moment of joy in movement ruptures memory’s prison-house, as grandmother dances alone in her old living room, a room where moving her body had long been forbidden.

Old businessman who finds himself in a scandal after his sex videos with women went viral.

Old businessman who finds himself in a scandal after his sex videos with women went viral.

欲偷渡到西班牙的木工，下車後卻發現人還在奧地利；擅長修復神像的女畫師，亟欲擺脫前夫的暴力糾纏。這沈默的兩個人，竟意外撞出愛情，然後故事裡還有一個被賭債擺佈、無力面對妻兒的建築工人，這三段故事裡的四個人，最後竟意想不到地影響了彼此生命中的關鍵。柏林影展大受好評的新銳之作，圓形結構的敘事，不到最後關頭，真相難料。

《欧洲寄宿家庭》顾名思义就是在欧洲某国开业的寄宿家庭。车胜元与刘海镇作为寄宿家庭主人，将向韩国人传达饱含温情的饭菜和回忆。

《欧洲寄宿家庭》顾名思义就是在欧洲某国开业的寄宿家庭。车胜元与刘海镇作为寄宿家庭主人，将向韩国人传达饱含温情的饭菜和回忆。

The Art of Spain – The Moorish South (1 of 3) 　　Critic and art historian Andrew Graham-Dixon travels from southern to northern Spain to tell the story of some of Europe’s most exciting and vital art. In an exploration of Moorish Spain, he looks at Muslim political and cultural influence as he travels from Cordoba to Granada, seeing classic buildings such as the Great Mosque in Cordoba, the Alcazar in Seville and the Alhambra in Granada. He also shows how the Moors introduced new foods – including citrus fruits, coffee and spices – to Spain. 　　The Art of Spain – The Dark Heart (2 of 3) 　　He journeys to the country’s scorched centre to explore Spanish art of the 16th and 17th centuries, a period that became known as the Golden Age. Tracing the rise and fall of the Spanish Empire, the brutal conquest of the New World, and the religious madness of the Inquisition he discovers how a history so violent produced such beautiful art. 　　The Art of Spain – The Mystical North (3 of 3) 　　In the final part, he reveals how the north of the country has produced some of the most dazzling and iconic art of the modern age. Spain’s turbulent history has shaped artists from Francisco Goya to Pablo Picasso. Graham-Dixon argues that Spanish architecture is the art form now taking the nation forward in the new millennium.